Original 1821 Hand-Colored Aquatint - "A Woman of Argenteria & A Woman of Scio" - Published by Rudolph Ackermann

A rare and exquisitely detailed original hand-colored aquatint from 1821, depicting A Woman of Argenteria and A Woman of Scio (Chios) in traditional Ottoman-era attire. This historically significant print was published by the renowned Rudolph Ackermann in London and is part of a distinguished series illustrating the diverse cultural heritage of the Ottoman Empire. The fine detailing and vibrant coloring of this piece showcase the artistry and craftsmanship of early 19th-century printing.

Both figures are elegantly dressed in authentic period costumes, offering insight into the rich traditions of their respective regions. The woman of Argenteria is adorned in a layered embroidered dress with a headscarf, gold accents, and an apron, holding a bowl, symbolizing hospitality. The woman of Scio, from the Greek island of Chios, is depicted in a floral-patterned robe with a high, elaborately decorated headdress, indicative of her status and regional style.

This remarkable piece is not only a stunning decorative artwork but also a collector’s treasure, preserving a moment in time from the early 19th century.

Key Features:

• Authenticity: Original 1821 aquatint published by Rudolph Ackermann, London.

• Material: High-quality early 19th-century paper with original hand coloring.

• Dimensions: [Please provide exact measurements].

• Condition: [Please specify—mention any aging, foxing, or signs of preservation].

• Usage: Perfect for collectors of historical art, Ottoman Empire and Greek history enthusiasts, or as a distinguished decorative piece for an elegant interior.

The Story Behind This Piece:

This extraordinary print was discovered in a private estate collection in England, carefully preserved in a leather-bound folio of rare 19th-century engravings. Once part of a wealthy European traveler’s library, this piece reflects a period of fascination with the cultures of the East and the Mediterranean. As part of Ackermann’s prestigious publications, it stands as a testament to early ethnographic studies and European artistic documentation.

“Owning this piece means holding a glimpse of history—a beautifully preserved representation of two unique cultures from the Ottoman world. May it inspire and enrich your collection.”